Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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CARPACCIO, Vittore
Birth of the Virgin fg

ID: 05873

CARPACCIO, Vittore Birth of the Virgin fg
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CARPACCIO, Vittore Birth of the Virgin fg


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | St Thomas in Glory between St Mark and St Louis of Toulouse dfg | The Lion of St Mark (detail) sdf | Triumph of St George (detail) dsf | St Catherine of Alexandria and St Veneranda dfg | Departure of the Pilgrims (detail) sdf |
Related Artists:
Frederik de Moucheron
(1633-2 January 1686) was a Dutch Golden Age landscape painter. Frederik de Moucheron was the son of the painter Balthazar de Moucheron and Cornelia van Brouckhoven. His father came from a wealthy family of wine traders and is portrayed as one of the younger sons in the Moucheron Family portrait, 1563. Frederik trained with Jan Asselijn and became a landscape painter. He set off at age 22 for Paris, where he spent 3 years and then after a tour of Antwerp, Paris. and Lyon, he settled in 1659 in Amsterdam. In the same year he married Mariecke de Jouderville there and they had 11 children. He is buried in Amsterdam. He painted French, Italian, and Dutch landscapes. To finish these scenes, contemporaries specialized in painting figures collaborated with him, such as Adriaen van de Velde in Amsterdam, Theodor Helmbreker in Paris, and at times Johannes Lingelbach, and Nicolaes Pieterszoon Berchem.
VICTORS, Jan
1619-1676 . Dutch painter. He was half-brother to the bird painter Jacobus Victors (1640-1705) and the noted Delft potter Victor Victors (b 1638). About 150 oil paintings by Jan Victors, comprising portraits, genre scenes and historical subjects on both canvas and panel, have been catalogued. No signed or securely attributable drawing by him is known. Although his training is undocumented, Victors has long been considered a member of the school of Rembrandt in Amsterdam. His paintings of 1640-70 show many formal and thematic interrelationships with Rembrandt and his documented pupils of the 1630s
Maino, Juan Bautista del
Spanish Baroque Era Painter, 1578-1649






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